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View of the ‘Living Worlds’ gallery from stairs. © The Manchester Museum

The following text is the second part of our online tours around the Manchester Museum; the first tour is here. This time we are presenting a brief overview of the museum’s gallery called ‘Living Worlds’.

Fig. 1. Skeleton of a young Sperm Whale (Physeter macrocephalus) found dying on sea ice in Massachusetts in 1896, mounted by Harry Brazenor in 1898. The whale was suspended from the ceiling of the mammal gallery, where it became an iconic specimen, emblematic of the Museum as a whole. © The Manchester Museum

The ‘Living Worlds’ gallery sits at the heart of the oldest galleries of the Manchester Museum, which were purpose built to show their newly acquired natural history collections. The striking views of the cases and the balconies to the floors above are similar now to how they were in 1912, but without game trophies on its columns. The view includes the skeleton of the sperm whale, hanging suspended over the gallery floor after its discovery in Massachusetts in February 1896 (Fig. 1).

Fig. 2. Mounted Polar Bear (Ursus maritimus), taken as a flat skin from Arctic America to Dundee Museum by a whaling ship SS Eclipse around 1905, mounted by Harry Brazenor. Credit: Paul Cliff and the Manchester Museum

Despite the historic setting, the gallery today aims to move away from a traditional understanding of nature when it is presented as if existing in far off countries, separate from people. ‘Living Worlds’ puts people back into nature and describes its role in our everyday lives. Different ecosystems of our planet vary from polar lands to tropical forests, all full of life adapted to live in those conditions (Fig. 2). The life surrounding us could be viewed with fascination or fear, as something to exploit or to protect or as something to admire or to understand how it works (Fig. 3).

Fig. 3. On the left: skull of ‘Old Billy’, the horse that lived near Manchester during 1760-1822. On the right: Oil painting of ‘Old Billy’ by Charles Towne, painted shortly before the horse died. © Michael Pollard and The Manchester Museum.

Each case in Living Worlds takes a theme exploring one way in which people might connect with nature, either past of present. For example, the taxidermy tiger takes centre stage in a story about hunting for sport and trophy collecting. The tiger stands as if frozen in the moment of attack, telling us more about how the species was predominantly seen by Victorian society and about how the hunter wanted to be remembered, as a conqueror (Fig. 4). In comparison, other animals, such as those which came to the museum after living their lives at Belle Vue Zoo, are in poses which aim to show people how they may have behaved in life.

Fig. 4. Taxidermy of the Tiger (Panthera tigris) mounted in upright, pouncing position; from the ‘Domination’ case of the gallery. © Michael Pollard and The Manchester Museum.

We all rely on nature in our daily lives. There are the very practical things, like food, clothing and shelter, but there are also less tangible ways we rely on nature. Having access to greenspaces and nature is known to help our own sense of wellbeing, helping us stay healthy, find a sense of place and of peace. We also use nature to help us communicate complex ideas about ourselves, our cultures and organisations. By a symbolic view of animals and plants we represent ourselves in the way we want to be seen or interpreted. The industrious and communal bee is the symbol of Manchester, whereas the bee has long been a universal symbol of ethical virtues, such as diligence, sociability, purity, wisdom, hard-work and community (Fig. 5).

Fig. 5. An Ancient Greek coin (c. 387-295 BC) and Honey Bee. The bee symbolises Artemis, the goddess of wild animals, the hunt and childbirth; priestesses of the goddess were known as ‘honey bees’. © Michael Pollard and The Manchester Museum.
Fig. 6. Dodo model (Raphus cucullatus), based on modern research and interpretations. © Paul Cliff and The Manchester Museum.

Today, many animals and plants are threatened in the wild, and museum collections hold examples of species which are already extinct (Fig. 6). Human activities such as agriculture, deforestation or mining can make it hard or impossible for nature to find the space to thrive, or even to co-exist with us. Many charities, organisations and individuals work to keep ecosystems healthy and make room for wildlife. How we view nature and the choices we all make in our day-to-day lives all has an impact on the natural world around us (Fig. 7).

Fig. 7. Male and female taxidermy of Peregrines (Falco peregrinus) from the ‘British Wildlife’ case of the gallery. During the breeding season, this predatory bird can often be found above rocky sea cliffs and upland areas throughout the UK. © Michael Pollard and The Manchester Museum.

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View of the Nature’s Library gallery. © Dmitri Logunov

Manchester Museum is part of the University of Manchester and one of the UK’s leading university museums, holding more than 4.5 million objects and specimens, ranged across nature and culture. The Museum has eight main permanent galleries that reflect its main mission to build understanding between cultures and a more sustainable world. Here is a brief survey of the Museum’s gallery called ‘Nature’s Library’.

Figs. 1–2. On the left: Tens of thousands of soft-bodied organisms, like spiders, are preserved in 70% alcohol and are kept in jars in the hidden storerooms of the Manchester Museum. – On the right: Scallops (Pectenidae) exist in a stunning array of natural colours and patterns. It is believed that Aphrodite, the Greek goddess of love and beauty, was born from a scallop shell. © Michael Pollard and The Manchester Museum.

Natural history museum collections include specimens from zoology, botany, entomology, palaeontology and mineralogy, as well as documentation associated with them. Recent estimates suggest that the number of natural history specimens in British museums exceeds 100 million. The vast majority of such collections (c. 95%) are kept in storage, behind the scenes (Fig. 1: on the left). But does this mean that these collections are not used? Far from it, we care for these collections as an irreplaceable resource for research, education and inspiration. Natural history collections act as ‘libraries’, in which a separate specimen can be seen as a letter or word, and an individual collection as that of a paragraph or section in a giant ‘Book of Knowledge’. The Nature’s Library gallery why we have natural history collections, where they came from, why we continue to keep them and collect more, how such collections are used, and why are they still relevant today?

Fig. 3. Specimens of the Australian Rainforest Scorpion, Liocheles waigiensis (Gervais, 1843), were the first invertebrates ever acquired by the Manchester Museum on 15th January 1889. © Michael Pollard and The Manchester Museum.

Natural history collections are the result of the curiosity and private passions of thousands of people, each with their own motivations for collecting. Living things, shells and rocks are often very beautiful or intriguing to look at, with endless variety of shapes, colours, patterns and textures (Fig. 1: on the right). Each specimen in the Museum is identified by a unique ‘accession number’. Information on each specimen is recorded in a Museum’s Register book and database. The Manchester Museum continues to collect, because collections have to be relevant to people and their needs today (Fig. 3).

Fig. 4. Today the red fox is familiar as a fellow city resident. Our taxidermy may have been made before foxes were common as urban wildlife, reminding us about how our cities can change and adapt to nature. © Michael Pollard and The Manchester Museum.
Fig. 5. Educational models allow students to explore the internal structure of plants and animals. They are made of papier-mache, wood, wire and fabric. © Michael Pollard and The Manchester Museum.

The Manchester Museum is part of the University of Manchester, and has been open to the public since 1891. Thousands of schoolchildren, students and researchers use the Museum each year, for study, research and enjoyment (Fig. 4). The Museum is a unique place where visitors can see real objects, have access to experts and develop their own curiosity. Historic natural history collections are a rich resource of historical information about people, places and links to our colonial past. Designers and artists draw inspiration from their remarkable variety of forms, colours and patterns, exploring new ways of seeing and presenting the world around us. The Museum has about 250 enlarged models of plants and animals. These were used to teach students in the late 19th and early 20th centuries, and are still used for outreach programmes and undergraduate teaching today (Fig. 5).

Fig. 6. Some of the organisms collected by the Challenger expedition from 362 sites around the world. About 4,700 new species were discovered as a result of this endeavour. © Michael Pollard and The Manchester Museum.

The fundamental value of natural history collections is related to our understanding of the Earth’s diversity. The Manchester Museum holds large collections that were assembled by researchers who studied particular organisms and described new species. In the gallery you can find some of the thousands of specimens collected by HMS Challenger, during the first scientific expedition (1872-76) to explore the deep ocean (Fig. 6).

Fig. 7. Some lichens can survive in dirty air while others will only grow if the air is very clean, like this tree lungwort (Lobaria pulmonaria). Where they live, and how this changes over time, tells us what is going on around us. © Michael Pollard and The Manchester Museum.

Natural history collections offer a unique opportunity for understanding the world around us, providing data over a vast time span ranging from millions of years ago (minerals and fossils) to the present day. These data reveal changes in environmental conditions and their consequences from deep time to within human history, and help us build up a better, sustainable future (Fig. 7).

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NatSCA

Written by Piotr Korpak, Visitor Team Assistant, Manchester Museum, The University of Manchester.

Last August saw the Manchester Museum entering the final phase of its capital project called hellofuture when it closed to the public for over a year, until February 2023. Major redevelopments like this tend to be quite stressful for most institutions, but also bring a lot of excitement and many valuable opportunities for individuals. Being closed to the public meant no visitors and so I was able to support work in other departments. Always interested in natural history collections, I welcomed the chance to work with the Curatorial Team in the Entomology Department with true delight.

The Museum’s arthropod collections are amongst the top three in the UK, with over 3 million specimens, out of which about 2.5 million are insects (Logunov and Merriman, 2012). As is the case with many museums, the collections are…

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Specimens of the collection of tortoise beetles (Cassidinae) from the Manchester Museum; those marked with pink and blue labels are types. © The Manchester Museum.

When a taxonomist is going to name a new species, s/he must designate a particular specimen as the reference standard of that species. Such specimen – one particular butterfly, pressed plant or mineral – is called the name-bearing type (=holotype). It is permanently associated with the published scientific name and official description of the species. Type specimens serve as the primary and unique references for all known species names. They play a key role in stabilizing the use of species names. The type must be unambiguously designated, because it is required for identifying other specimens or validating the use of a name. Types are deposited in reliable natural history museums, properly cared for and made available to researchers that need to examine them.

Similarly to the International Bureau of Weights and Measures which establishes a common understanding of such units as length, mass, time, electric current and others, natural history museums keep type specimens to provide unequivocally links to species names. A number of the type specimens in a particular museum reflects its scientific significance and international standing. The Manchester Museum holds some 22,000 types representing over 8,000 species names, and the number of the types is growing. The Museum is one of the most important taxonomic depositaries in the UK.

Traditionally, type specimens are kept in behind-the-scenes stores of natural history museums and never displayed. Their primary role is to support taxonomic research. Below a selection of type specimens from different collections of the Manchester Museum is presented.

The holotype of Rufous-backed Shrike (Lanius lama), one of the names under which Grey-backed Shrike (Lanius tephronotus) has been known; the bird is known from Tibet. © The Manchester Museum.
Type specimens of three corals: syntype of the hydrocoral Errina capensis from costal waters off Cape of Good Hope (left), syntype of the stony coral Stylasterina tiliatus from Pacific Ocean, Sulu islands (middle), and the holotype of the hydrocoral Errina novaezelandiae (red coral) from waters off New Zealand (right). © The Manchester Museum.
Holotypes of the liverworts described by Richard Spruce (1817-1893). © The Manchester Museum.
Holotype of wooldridgeite, a mineral containing calcium, copper, hydrogen, oxygen, phosphorus, and sodium; named after James Wooldridge (1923-1995), a keen amateur from Worcestershire (UK) who discovered the material. © The Manchester Museum.
The female holotype of the species Dysaulophthalma nathani, described from the re-curated Indian collection of mantises (Mantodea). © The Manchester Museum

Well, the work of a taxonomist could apparently be compared even to that of a detective.

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James Jepson working with Manchester Museum’s collection of Neuroptera. © The Manchester Museum.

The Manchester Museum welcomes all kinds of visitors: art and design students, members of local natural history organisations, school and college students, family groups, etc. Yet, about half of our visitors are researchers working on many interesting, often inter-disciplinary projects. For instance, Dr James Jepson (on photo) is a palaeontologist from the University of Manchester, looking at the evolution of insects, in addition to studying the evolution of lacewings and their allies (order Neuroptera). He is also involved in studying these insects in Cheshire and Lancashire and is responsible for the national recording scheme of these insects. Below is James’ brief report on what he does and how he uses the Manchester Museum’s insect collections.

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I have the pleasure of regularly visiting the entomology collections at the Manchester Museum to gather data for three projects that I am currently undertaking. The first being part of my postdoctoral research on insect relationships and evolution. I am using the specimens in the collection to code morphological characters, which I will then use to create a phylogeny to show the relationships of extant and fossil insect orders. From this phylogeny, I will be able to investigate the evolution of insects throughout geological time, from their beginnings to the present day.

The second project relates to the British Isles Lacewing and Allies Recording Scheme. I have recently become the co-organizer of the scheme, which we relaunched earlier this year. The scheme takes in records of the orders Neuroptera (Lacewings, Waxflies, Antlions & Spongeflies), Raphidioptera (Snakeflies), Megaloptera (Alderflies) and Mecoptera (Scorpionflies & Snowfleas) found in England, Scotland, Wales, and Ireland. If you want to know more about the scheme, and how you can contribute, please visit our website. At the museum, I am documenting the collection of British lacewings and allies in the collection for addition into the recording schemes database. Museum collections hold very important data not only on recently collected specimens but also on specimens collected in the past. These historical collections give us information on past distributions of species and can help us assess any changes that have happened over time.

The final project is looking at the museum’s collection of Neuropterida (Neuroptera, Raphidioptera, Megaloptera). In addition to the British specimens, I will also be looking at specimens from other countries, like India, Costa Rica, and others. I will be putting a name to the unidentified specimens and checking the identity of the others to take into account recent changes in neuropterid taxonomy. It is always an enjoyable experience visiting the collections at Manchester Museum; the staff are enthusiastic, knowledgeable, and always very helpful.

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In the traditional Chinese calendar, 2022 is the Year of the Tiger. In Chinese culture, tiger is the king of all beasts, symbolizing power, majesty and beauty. Let us to celebrate the beginning of the Chinese New Year 2022 with a selection of ‘tiger insects’ from the Manchester Museum’s Entomology Collection. In this blogpost, a few examples of tiger-like colour patterns in moths and butterflies and tiger-like predatory behaviour in some amazing beetles are presented.

Warning colouration

A tiger’s bold pattern of bright orange body coloration with dark stripes makes them less visible to their prey (it is the so-called disruptive colouration). On the other hand, the conspicuous dark and orange colouration of some moths and butterflies is a clear warning signal to predators. This is the case of the adults of the Garden tiger moth or Great tiger moth Arctia caja. When threatened, this moth can release neurotoxin, making it inedible.

The Garden tiger moth was one of the favourite moths for early collectors who were interested in creating unusual coloration patterns. This species is now protected in the UK; its population has declined by 89% over the past 30 years.

The Harmonia tiger-wing or Harmonia tiger Tithorea harmonia shows the pattern of a toxic butterfly. This species is one of the common and most widespread of the toxic ‘tiger-like’ species that can be found from Mexico to South America. Its larvae feed on Prestonia acutifolia (Apocynaceae), a plant with toxins, and pass the poisons to adults. When eaten by predators, this butterfly leaves an unpleasant taste.

The Tiger butterfly or Striped Tiger Danaus genutia is a very common species throughout India, Sri Lanka, Myanmar, South-East Asia, and Australia (except New Guinea). It has the same appearance as the famous Monarch butterfly Danaus plexippus of the Americas. When the wings are open, both female and male show an orange or yellow-brownish coloration with black venation. Its larvae obtain toxins from plants, which also leave an unpleasant smell and taste to their predators when the adult is eaten.

Tiger butterfly Danaus genutia – Entomology, Manchester Museum

Aggressive predators and fast runners

Tiger beetles are known for their running speed and their aggressive predatory habits, just like true tigers. It is a large group of some 2600 (sub)species of the subfamily Cincidelinae. Their characteristics include large eyes, long legs adapted for sprinting, and a striking pair of curved and toothed mandibles (=jaws) for catching prey (see video here). The Tiger beetle species Rivacindela hudsoni from Australian deserts is considered the fastest insect in the world, with a running speed of 9 km/hr (120 beetle body lengths per second). More about Tiger beetle adaptations and characteristics here and here.

Tiger beetles lay their eggs in the sand. After hatching, the larvae dig a tunnel and wait in ambush in the tunnel’s mouth for any small invertebrates passing by. The larvae strike and catch their prey with powerful jaws (see video here). Such voracious larvae are known in all species of tiger beetles.

The larva of the Six-spotted green tiger beetle Cicindela sexguttata waiting for its prey. Photo: Katja Schulz Wikispecies: Rivacindela hudsoni
Adults of the Six-spotted green tiger beetle Cicindela sexguttata from North America – Entomology, Manchester Museum

There are five tiger beetle species in Britain, of which the Green tiger beetle Cicindela campestris is the only widespread and common. It is an agile hunter, catching invertebrates, especially spiders, caterpillars and ants. It can be recognised by long bronze legs, metallic green body colouration, and yellow spots on the wing cases.

The Wood tiger beetle or Heath tiger beetle Cicindela sylvatica is the largest tiger beetle in Britain, with dark/brown colouration and three or four pale yellow marks on its wings. Half of the population of the Heath tiger beetle has disappeared in the last 25 years in the UK due to habitat loss. This species is under priority status on the Biodiversity Action Plan.

Wood tiger beetle or Heath tiger beetle Cicindela sylvatica – Entomology, Manchester Museum

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A selection of the papers published in the last academic year 2020-21, based on or containing references to specimens from the Manchester Museum’s Entomology Department

This blog is the third one of the annual series devoted to the publications based on or referred to the Manchester Museum’s entomology collections in the last academic year. During the period from 1st August 2020 to 31th July 2021, a total of 23 papers were published by 21 researchers from 13 countries (including the UK, Russia, Ukraine, Finland, Greece, Bulgaria, Germany, Iran, China, Italy, Costa Rica, Honduras and the US). Despite (inter)national lockdowns, travel cutbacks and limited access to the collection store due to the Covid-related restrictions, the Entomology department was able to continue to support research.

The majority of the authors are associated with universities or museums, for example: Museo di Storia Naturale dell’Università di Firenze (Italy); Museo de Zoología, Universidad de Costa Rica; Zoological Museum, University of Turku (Finland); University of Nebraska State Museum (US); Department of Invertebrate Zoology of the Tomsk State University (Russia); the Altai State University (Russia) and the Manchester Museum and School of Biological Sciences – Faculty of Biology, University of Manchester (UK). Other authors are affiliated with academic research institutes (e.g., Institute for Biological Problems of the North, the Russian Academy of Sciences) and one author is from the Hong Kong Entomological Society (China).

Taxa and topics

The main topic covered in these publications included the taxonomy: viz., taxonomic reviews of various taxa (some 40%), descriptions of new species (30%), and new faunistic records (18%). Less frequent topics were ecology, morphology, surveys, book reviews and memorabilia (Figure 1).

The majority of the papers (60%) were focused on spiders (the order Araneae). Taxonomic reviews, including descriptions of new species and new synonymy, were the main topics of 14 publications. More than 80 new species were described, particularly from Central and South Asia (Figure 2). New information on species records and distribution from India, Vietnam, Afghanistan, Iran, and Sri Lanka was given.

Two papers for each of the following orders were published: Coleoptera (beetles), Lepidoptera (butterflies and moths) and Phasmatodea (stick insects). The Coleoptera papers focused on descriptions of new species and new faunistic records of the feather-winged beetles, and the ecology of one Neotropical species of the tortoise beetles. A single paper of butterflies was devoted to morphology in two subspecies of the European Swallowtail butterfly; there is also a review of an ‘Illustrated History of Butterflies of the Afrotropical Indian Ocean Islands’. Two papers devoted to stick insects included a description of new species from Vietnam and new records from China. A complete list of publications is given below.

Figure 1. Topics covered by the 2020-21 publications using specimens from the Entomology Department, Manchester Museum

Geographical scope

Publications based on Manchester Museum’s specimens contributed to the knowledge of entomofaunas in 32 countries from such regions as the Middle East, Central, South and South-East Asia, Europe (including the UK) and the Neotropics (Costa Rica). The highest number of publications is devoted to Central Asia (Figure 2).

Figure 2. Number of the publications per country of origin of the studied specimens included in the 2020-21 papers related to the Manchester Museum Entomology Collection

Highlight of papers and authors

  • Dmitri Logunov (Curator of the Arthropods Collection, Manchester Museum) made a major contribution as the author of 11, or nearly a half the papers published in this academic year. Most of his papers (70%) were dedicated to the taxonomy of spiders (order Araneae). Dr. Logunov diagnosed, described and illustrated 37 new species of spiders from India, Afghanistan, Tajikistan, Pakistan, as well as from other countries in the Mediterranean and the Middle East (Figure 3). Other publications included the jubilee article on Dr A.A. Zyuzin (an arachnologist and his colleague), marking his 70th anniversary, work and achievement (Logunov, 2021c).
Figure 3. Jumping spider male of Chalcovietnamcus naga, the new species from the Philippines described by D. Logunov (from Figures 1-10, Logunov, 2020b)
  • Researchers from the School of Biological Sciences (University of Manchester) measured British and European specimens of the Swallowtail butterfly (Papilio machaon) to determine if sexual selection was responsible for the “tail length” (elongated part of the hindwings) in this species. It seems that the length of the tail is more related to avoiding predators and does not exhibit sexual dimorphism (Koutrouditsou & Nudds, 2021; Figure 4).
Figure 4. Measurements to assess relative size of ‘tails’ in Swallowtail Butterfly (from Figure 1, Koutrouditsou & Nudds, 2021)
  • Two new species of the rove-beetles of the genus Metolinus (Coleoptera, Staphylinidae), based on unpublished materials from the Horace Last Collection were finally described (Figure 5). These descriptions were published along with new records of this scarce genus in Papua New Guinea (Bordoni, 2021).
Figure 5. Two new species of the genus Metolinus (Coleoptera, Staphylinidae) recently published from specimens at Manchester Museum (from Figure 7 & 8, Bordoni, 2021)
  • The holotype of Calyptocephala attenuata (Spaeth, 1919) (Coleoptera: Chrysomelidae: Cassidinae: Spilophorini) from Costa Rica (Figure 6) accompanied with a description of a new host plant and further information of the natural history of this poorly known tortoise beetle from Costa Rica (Nishida & Chaboo, 2020).
Figure 6. The Holotype of Calyptocephala attenuata from Costa Rica, held in the Manchester Museum (from Figure 4, Nishida & Chaboo, 2020)
  • Specimens of sticks insects (order Phasmatodea) from Manchester Museum were used in a taxonomic review of this group in Vietnam and China. In the two papers, eight new species and two new genera were described, as well as new synonyms and records from China (Ho, 2020; Ho, 2021).

A complete list of publications:

  1. Bordoni A. (2021). New data on the Australasian Xantholinini (Coleoptera, Staphylinidae, Xantholininae) 13. Two new species of Metolinus from New Guinea of the Manchester Museum and new records. 305° contribution to the knowledge of the Staphylinidae. – Boll. Mus. reg. Sci. nat. Torino, 38(1-2): 23-29
  2. Fomichev A.A. & Marusik, Y. M. (2020). Five new species of the Acantholycosa-complex (Araneae: Lycosidae) from Mongolia. – Zootaxa, 4497 (2): 271–284. doi.org/10.11646/zootaxa.4497.2.7 
  3. Ho, W.C. (2020) New taxa of Clitumninae from Vietnam (Phasmatodea: Phasmatidae). – Zoological Systematics, 45(2): 104-117. http://doi: 10.11865/zs.202015
  4. Ho, W.C. (2021) Contribution to the knowledge of Chinese Phasmatodea IX: First report of Xeroderinae (Phasmatodea: Phasmatidae) from China. – Zoological Systematics, 46(2): 187-190. http://doi: 10.11865/zs.2021205
  5. Koutrouditsou L.K. & Nudds R.L. (2021). No evidence of sexual dimorphism in the tails of the swallowtail butterflies Papilio machaon gorganus and P. m. britannicus. – Ecology and Evolution, 11: 4744-4749. doi: 10.10 02/ece3.7374 
  6. Logunov, D.V. (2020a). Further notes on the genus Stenaelurillus Simon, 1885 from India (Arachnida: Araneae: Salticidae). – Zootaxa, 4899(1): 201-214. http://doi:10.11646/zootaxa.4899.1.11 
  7. Logunov, D.V. (2020b). New and poorly known leaf-litter dwelling jumping spiders from South-East Asia (Araneae, Salticidae: Euophryini and Tisanibini). – Arachnology, 18(6): 521-562. 
  8. Logunov, D.V. (2020c). On three species of Hogna Simon, 1885 (Aranei: Lycosidae) from the Near East and Central Asia. – Arthropoda Selecta, 29(3): 349-360. 
  9. Logunov, D.V. (2021a). Literature review: An Illustrated History of Butterflies of the Afrotropical Indian Ocean Islands (by James M. Lawrence & Mark C. Williams). – Antenna, online at: https://www.royensoc.co.uk/sites/default/files/Review_An%20Illustrated%20History%20of%20Butterflies%20of%20the%20Afrotropical%20Indian%20Ocean%20Islands.pdf 
  10. Logunov, D.V. (2021b). Literature review: True Bugs of the World (Hemiptera: Heteroptera) Classification and Natural History (2nd edition) (by Randall T. Schuh & Christiane Weirauch). – Antenna, online at: https://www.royensoc.co.uk/sites/default/files/Review_True%20Bugs%20of%20the%20World%20Classification%20and%20Natural%20History%202nd%20ed.pdf 
  11. Logunov, D.V. (2021c). [Alexei Alexandrovich Zyuzin – 70 years]. – Arthropoda Selecta, 30(1): 133-141. (in Russian) 
  12. Logunov, D.V. (2021d). Further notes on the jumping spiders (Araneae: Salticidae) of Afghanistan. – Arachnology, 18(8): 821-828. 
  13. Logunov, D.V. (2021e). Notes on the genus Chinattus Logunov, 1999 from India, Pakistan and Nepal (Arachnida: Araneae: Salticidae). – Zootaxa, 5006 (1): 110-120. http://doi.org/10.11646/zootaxa.5006.1.15 
  14. Logunov, D.V. (2021f). On three species of Plexippoides Prószyński, 1984 (Araneae: Salticidae) from the Mediterranean, the Middle East and Central Asia, with notes on a taxonomic validity of the genus. – Arachnology, 18(7): 766-777. http://doi:10.13156/arac.2020.18.7.766 
  15. Logunov, D.V. & Fomichev A.A. (2021). A new species of Karakumosa Logunov & Ponomarev, 2020 (Araneae: Lycosidae: Lycosinae) from Tajikistan. – Arachnology, 18(7): 677-680. http://doi:10.13156/arac.2020.18.7.677 
  16. Logunov, D.V. & Ponomarev, A.V. (2020). Karakumosa gen. nov., a new Central Asian genus of fossorial wolf spiders (Araneae: Lycosidae: Lycosinae). – Revue Suisse de Zoologie, 127(2): 275-313. http://doi:10.35929/RSZ.0021
  17. Marusik, Y. M. & Nadolny, A. A. (2020). On the identity of Trochosa hispanica (Araneae, Lycosidae), with notes on the synonymy of West Palaearctic “Trochosa” species. – Zootaxa, 4859(1): 56-80. http://doi:10.11646/zootaxa.4859.1.2
  18. Nishida K. & Chaboo C. (2020). A new host plant family for Cassidinae sensu lato: Calyptocephala attenuata (Spaeth, 1919) (Coleoptera: Chrysomelidae: Cassidinae: Spilophorini) on Smilax (Smilacaceae) in Costa Rica. – The Pan-Pacific Entomologist, 96(4):263–267. 
  19. Tchemeris A.N. (2020). Remarkable new species of epedanid from Vietnam (Arachnida: Opiliones: Laniatores: Epedanidae). – Zootaxa, 4858 (3): 427–437. http://doi.org/10.11646/zootaxa.4858.3.8 
  20. Zamani, A., Chatzaki, M., Esyunin, S. L. & Marusik, Y. M. (2021). One new genus and nineteen new species of ground spiders (Araneae: Gnaphosidae) from Iran, with other taxonomic considerations. – European Journal of Taxonomy, 751: 68-114. http://doi:10.5852/ejt.2021.751.1381 
  21. Zamani, A., Dimitrov, D., Weiss, I., Alimohammadi, S., Rafiei-Jahed, R., Esyunin, S. L., Moradmand, M., Chatzaki, M. & Marusik, Y. M. (2020). New data on the spider fauna of Iran (Arachnida: Araneae), part VII. – Arachnology, 18(6): 569-591. http://doi:10.13156/arac.2020.18.6.569 
  22. Zamani, A. & Marusik, Y. M. (2020). A survey of Phrurolithidae (Arachnida: Araneae) in southern Caucasus, Iran and Central Asia. – Zootaxa, 4758(2): 311-329. http://doi:10.11646/zootaxa.4758.2.6 
  23. Zamani, A. & Marusik, Y. M. (2021). Revision of the spider family Zodariidae (Arachnida, Araneae) in Iran and Turkmenistan, with seventeen new species. – ZooKeys, 1035: 145-193. http://doi:10.3897/zookeys.1035.65767

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A specimen of the Apple Maggot (Rhagoletis pomonella) of the family of Fruit Flies (Tephritidae, or here) from the collection of the Manchester Museum photographed by means of our new Olympus stereo microscope and digital camera. © The Manchester Museum.

A month ago, thanks to the CapCo grant, the Manchester Museum purchased a new stereo microscope (Olympus, SZX 16) with a digital colour camera (DP27-CU-1-2), which is designed for photographing small and diminutive objects. Two weeks ago, we had a training session and here is the first image taken by means of this microscope and camera (see above). We are about ready to start a large project aimed at the digitisation of tens of thousands of diminutive insects, including type specimens of the Feather-winged Beetles (Cryptophagidae), Fungus Beetles (Latridiidae) and many other small-sized groups, deposited in the Manchester Museum.

A training session on how to capture images; a diminutive shell is on the screen. © Diana Arzuza Buelvas.
Taking photo of the jumping spider Colopsus longipalpis from Vietnam. © Diana Arzuza Buelvas.

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Bullet Ant (Paraponera clavata) from the collection of the Manchester Museum; its sting is arrowed. © Manchester Museum.

Many species of ants (family Formicidae) hold a great fascination for the human from the ancient time. For instance, Pliny the Elder believed that ants are the only living creatures besides man that bury their dead. Ants have been greatly admired for the qualities of intelligence, hard work, good organisation, and harmonious social life. Moral lessons for mankind were frequently drawn from various aspects of their behaviour. In the Old Testament, one can find the following wisdom: ‘Go to the any thou sluggard; consider her ways and be wise: which, having no guide, overseer, or ruler, provideth her meat in the summer, and gathereth her food in the harvest’. Ant colonies in their anthills could be seen as both a microcosm of man and his world, and a positive example of communal cooperation. However, not all ants have acquired such a positive reputation among humans, some of them are feared: e.g., the Bulldog Ant (Myrmecia sp.), or the African Driver Ants (Dorylus spp.), which sometimes are depicted as merciless invaders that consume all creatures in their path, especially in Hollywood horror movies; for general information about myrmecophobia (=fear of ants) see here.

One of the feared ant species is the Bullet Ant (Paraponera clavata), a large black ant that can reach a length up to 2-3 cm (see photo). It is the largest ant of Central and South Americas, known from the Caribbean lowlands of such countries as Honduras and Costa Rica, southward to Peru and Brazil. Ants live in large subterranean colonies with the entrances situated at the base of large trees. Each colony contains from 700 to 1400 worker ants: i.e., members of the worker caste, all are infertile females. Workers are solitary hunters that search for their prey (various smaller insects) from ground level up to the canopy, and can be seen and encountered during both day- and night times; for more information about Bullet Ant see here and here.

This ant should be avoided as it can inflict an extremely painful sting (its sting is arrowed in the photo above). The venom of the Bullet Ant contains poneratoxin, a neuropeptide causing an acute pain and local paralysis, but not fatal to humans. The regional name of Paraponera clavata in Costa Rica is ‘hormiga bala’, meaning ‘bullet ant’. People who have been stung by this ant say that its bite feels like a bullet wound, or even like a 3-inch burning rusty nail in your heel; the pain can last for 24 or more hours, and a person may need 2 weeks to recover from a single sting. If someone scored various stinging insects like bees, wasps and ants on a pain scale from 1 to 4, еру Bullet Ant would surely get the highest, 4-point score. Hence, it is hardly surprising that Native Americans of the Yurok tribe in California believe that ants became venomous by catching chips in their mouths from a mythical burning arrowhead. In Brazil, members of the indigenous tribe Satere-Mawe, who reside along the border between the Pará and Amazonas states in Brazil, use Bullet Ants and their painful stings in a ceremony of initiating young men into adulthood; watch the video below.

Despite some undeniably negative qualities (from the point of view of humans, of course) that can be attributed to bullet ants, the ant still inspires some naturalists to poetize them. Here is the latest limerick dedicated to the Bullet Ant by Richard A. Jones (2021):

The bullet ant feared no attacker,

Because with her sting she fought backer.

The venom she dealt

Was the worst to be felt –

A true hypodermic fire-cracker.

References and further reading:

Henderson C. L. 2010. Butterflies, moths, and other invertebrates of Costa Rica. Austin, University of Texas Press, 173 pp.

Jones R. A. & Ure-Jones C. 2021. A natural history of insects in 100 limericks. Pelagic Publishing, 110 pp.

Kritsky G. & Cherry R. 2000. Insect Mythology. Writers Club Press, 140 pp.

Sleigh C. 2003. Ant. Reaktion Book, 216 pp.

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hello future

In this guest post, Kate Eggleston-Wirtz, our Artist in Residence, brings us up to date on her work to create an Insect Hotel. The final outcome, offering accommodation fit for a king (termite) or queen (bee), is now on display in the Museum Shop, where you can come and see the spectacular and magical creation until autumn.

I was very excited to be invited to be an artist in residence at Manchester Museum. The residency had been scheduled to run Fridays and Saturdays from 28 February – 4 April 2020, set within the Beauty and the Beasts: falling in love with insects exhibition. The intent was to create an insect hotel using a vintage grandfather clock case as a foundation.

Grandfather clock
Insect Hotel, 6 March 2020

I began by consulting with both the public and Museum staff about what they thought of insects and also what might be…

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