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Bullet Ant (Paraponera clavata) from the collection of the Manchester Museum; its sting is arrowed. © Manchester Museum.

Many species of ants (family Formicidae) hold a great fascination for the human from the ancient time. For instance, Pliny the Elder believed that ants are the only living creatures besides man that bury their dead. Ants have been greatly admired for the qualities of intelligence, hard work, good organisation, and harmonious social life. Moral lessons for mankind were frequently drawn from various aspects of their behaviour. In the Old Testament, one can find the following wisdom: ‘Go to the any thou sluggard; consider her ways and be wise: which, having no guide, overseer, or ruler, provideth her meat in the summer, and gathereth her food in the harvest’. Ant colonies in their anthills could be seen as both a microcosm of man and his world, and a positive example of communal cooperation. However, not all ants have acquired such a positive reputation among humans, some of them are feared: e.g., the Bulldog Ant (Myrmecia sp.), or the African Driver Ants (Dorylus spp.), which sometimes are depicted as merciless invaders that consume all creatures in their path, especially in Hollywood horror movies; for general information about myrmecophobia (=fear of ants) see here.

One of the feared ant species is the Bullet Ant (Paraponera clavata), a large black ant that can reach a length up to 2-3 cm (see photo). It is the largest ant of Central and South Americas, known from the Caribbean lowlands of such countries as Honduras and Costa Rica, southward to Peru and Brazil. Ants live in large subterranean colonies with the entrances situated at the base of large trees. Each colony contains from 700 to 1400 worker ants: i.e., members of the worker caste, all are infertile females. Workers are solitary hunters that search for their prey (various smaller insects) from ground level up to the canopy, and can be seen and encountered during both day- and night times; for more information about Bullet Ant see here and here.

This ant should be avoided as it can inflict an extremely painful sting (its sting is arrowed in the photo above). The venom of the Bullet Ant contains poneratoxin, a neuropeptide causing an acute pain and local paralysis, but not fatal to humans. The regional name of Paraponera clavata in Costa Rica is ‘hormiga bala’, meaning ‘bullet ant’. People who have been stung by this ant say that its bite feels like a bullet wound, or even like a 3-inch burning rusty nail in your heel; the pain can last for 24 or more hours, and a person may need 2 weeks to recover from a single sting. If someone scored various stinging insects like bees, wasps and ants on a pain scale from 1 to 4, еру Bullet Ant would surely get the highest, 4-point score. Hence, it is hardly surprising that Native Americans of the Yurok tribe in California believe that ants became venomous by catching chips in their mouths from a mythical burning arrowhead. In Brazil, members of the indigenous tribe Satere-Mawe, who reside along the border between the Pará and Amazonas states in Brazil, use Bullet Ants and their painful stings in a ceremony of initiating young men into adulthood; watch the video below.

Despite some undeniably negative qualities (from the point of view of humans, of course) that can be attributed to bullet ants, the ant still inspires some naturalists to poetize them. Here is the latest limerick dedicated to the Bullet Ant by Richard A. Jones (2021):

The bullet ant feared no attacker,

Because with her sting she fought backer.

The venom she dealt

Was the worst to be felt –

A true hypodermic fire-cracker.

References and further reading:

Henderson C. L. 2010. Butterflies, moths, and other invertebrates of Costa Rica. Austin, University of Texas Press, 173 pp.

Jones R. A. & Ure-Jones C. 2021. A natural history of insects in 100 limericks. Pelagic Publishing, 110 pp.

Kritsky G. & Cherry R. 2000. Insect Mythology. Writers Club Press, 140 pp.

Sleigh C. 2003. Ant. Reaktion Book, 216 pp.

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Stories from the Museum Floor

In this week’s Story from the Museum Floor Visitor Team member Piotr continues his fascinating exploration of the intersection between Entomology and early film making through the pioneering work of Władysław Starewicz.

Check out the first part of the story here. And for more on our entomology collections have a look at the Curator’s blog.

Out of the real world he created the world of fantasy

When World War I started in the summer of 1914, Russia was separated from the rest of Europe by the German frontline. Since foreign films were unavailable, there was a huge demand on the local filmmaking industry. The so called Skobelev Committee got the monopoly on producing war reels, but the same organisation also established a fiction film department. Film directors working for the studio were given exemption from military service, which may have been the reason why Starewicz joined the Committee…

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Stories from the Museum Floor

In this week’s Story from the Museum Floor, Piotr from the Visitor Team explores the fascinating intersection between Entomology and early film making through the pioneering work of Władysław Starewicz.

For more on our Entomology collections please take a look the Curator’s blog.

Back from the Dead

Another year has passed and the Paper pumpkins, grinning at us as they hang from the trees are now several months behind us. Back in the Halloween season of 2019 we had a very successful screening of The Nightmare before Christmas  here at the Museum in our Living Worlds gallery. Conceived and produced by Tim Burton, and directed by Henry Selick, this 1993 classic has been attracting new audiences and enjoying a  cult following since its first release, more than 27 years ago. What I am also sure of is that probably very few people will wonder where and how it all…

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Male of Queen Alexandra’s birdwing butterfly (Ornithoptera alexandrae) from the collection of the entomology collection of Manchester Museum. © Manchester Museum.

One of the Manchester Museum’s temporary exhibitions entitled ‘Beauty and the Beasts: falling in love with insects’, which was opened from late Nov 2019 till Dec 2020, was devoted to insects, their beauty and cultural importance for people. Due to the coronavirus crisis the exhibition was opened to the public only for few months from late Nov 2019 to mid-March 2020. However, its full, richly illustrated content is freely accessible here online. Despite being unable to run tours to the exhibition, we continue to introduce our audience to its content by running online zoom talks and discussion sessions. One of such sessions with the visitors from the Manchester Culture Champions resulted in a lovely feedback: a poem written and presented to us by one of its participants, Nakib Narat, who was inspired by our presentation and the content of the exhibition. Please, have a look below and enjoy as we do. Thank you very much Nakib for such delightful and unexpected feedback.

Three Christmas Stars of Manchester Museum

(Thank You very much to Curators Rachel Webster and Dmitri Logunov for the wonderful Zoom talk about their work, displays and stories about some of the extraordinary plants and creatures in the Manchester Museum)

Lovely Three Stars of Zoom event

Bearing gifts so generously sent.

Magical Manchester Museum’s curiosities

Gifted from Orient to Occident.

Maria Jose’s “Made to Measure”

Amazing, extraordinary treasures! 

From “Beauty & The Beasts” luminosities:

Dmitri & Rachel’s personal pleasures.

O Stars of wonder, stars so bright

Joyful, learning. So discerning

Rachel & Dmitri’s wondrous sights!

Entomology to Botany and Zoology

Mantis Shrimp to Moths and bugs that glow

Herbariums for ecosystems yearning

As Insectophiles gather ‘neath the Mistletoe

Humans and insects connected.

All life only protected 

When we are a whole.

All life only protected

When we are a whole

Nakib Narat

Spider model made by our young visitors to one of the insect-related public events run by the Manchester Museum. © Vicky Haydn

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A Honeybee (Apis mellifera) collecting nectar and pollen, as seen by a professional photographer. © Victor Glupov (Novosibirsk, Russia).

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A Honeybee drinking nectar, as seen by a folk artist. Madhubani Folk Art, practiced in the Mithila region of India; August, 2018. Source: Indian Institute of Science.

Everyone knows and likes bees, particularly the European Honeybee (Apis mellifera), both as the spring harbinger in poetry and as the maker of honey. As a poet from Minnesota James Lenfestey (2016: 99) nicely put it, “Honey is food the way poetry is food, sweet as a child’s wounded smile is sweet, complex the way fine wine’s complex, enrapturing the entire mouth, with a sticky, lasting finish”. The Honeybee is one of the few insects domesticated and then cultivated by man for own benefits; the second most famous one is Silkworm Moth (Bombyx mori).

Bee is a universal symbol of ethical virtues, such as diligence, sociability, purity, cleanliness, wisdom, creativity and others (Kritsky & Cherry, 2000). In Ancient Egypt, tears of the Sun God Ra turned into bees upon touching the ground. In Ancient Greece, bee was a cult symbol for Artemis, the virgin huntress and goddess of wild nature. In Christian allegory, Honeybee often represents the Virgin Mary, also known as Queen of the Bees in Catholicism. As Mary gave birth to Christ, so the queen bee produces honey; more about Honeybees in the Bible can be found here.

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Depictions of Honeybees – a Christian symbol of purity and cleanliness – on the main doors of La Sagrada Familia Cathedral in Barcelona (Catalonia). © Dmitri Logunov (Manchester, UK).

The British traditional lore on bees is also rich (Chainey, 2018). For instance, in Suffolk it is believed that Honeybees are to be treated as members of the family because they are intelligent and hard-working creatures. Penzance people are confident that honey should be harvested on St Bartholomew’s Day (24 August), because he is the patron saint of bees. In Yorkshire, dire consequences could follow if someone kills a bee. Perhaps, one of the best-known bee symbols in the UK is the worker bee of Manchester, which has been an emblem of the city’s hard-working past and the city being a hive of activity for over 150 years (see here and here for more information).

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One of the traditional images of the worker bee of Manchester, the city that was made by the workers. © http://www.visitmanchester.com.

One of the most diverse pantheons of bee-related symbols exists in India. There are evidences of beekeeping and harvesting honey in India since the early Vedic Period (c. 1,500 BC); see here for more information. In Āyurveda, one of the world’s oldest healthy lifestyle system, honey is mentioned as being used for healing and cleaning wounds, anointing and diets (see here for more information).

In India, honey is collected from four indigenous bee species: Indian Honeybee (Apis cerana indica), a non-aggressive, domesticated bee in South Asia; Giant Honeybee (Apis dorsata), a large, aggressive species that could not be domesticated and is harvested from the wild; Dwarf Honeybee (Apis florea), a harmless species living in small, open colonies, not domesticated and also harvested from the wild; and Stingless Bee (Tetragonula iridipennis), a small harmless species of which honey and especially propolis (=bee glue) have notable pharmacological properties. Modern methods of beekeeping in India and the introduction of the European Honeybee (Apis mellifera) started in the late 19th century.

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Specimens of Giant Honeybee (Apis dorsata) from the Manchester Museum’s entomological collection. © The Manchester Museum.

In Hindu mythology, bees are divine assistants to human’s earthly life, helping to keep all of nature in harmony. Bees are also powerful symbols of life and rebirth. In Assam, the spirit of men are said to become Honeybees (bee-souls). Here are few examples of numerous Indian bee-related symbols (based on Karttunen, 2015):

(1) Bees’ attraction to flowers was commonly used in erotic symbolism, developing the idea of kissing bees being in love with flowers: ‘A flower without a bee is like a young woman in love without a lover’ (Śankara ŚTBh 134). In India, beautiful women were said to attract bees that mistake them for flowers: their sweet breath or lotus-feet were mistaken for real lotus flowers. Well, some people might suspect that women’s perfume, flower ornaments or occasionally aromatic incenses could be the reason for this attraction, but who would believe in such explanation?

(2) Bees and their hum are often mentioned as symbols of love and spring. In the spring – the season of Kāma, the Hindu God of Love (sometimes depicted as Brahma‘s son) – the hum of bees is taken by poets as a romantic sound inciting love. It is believed that people yearning for absent or unwilling lovers could not stand to hear bees’ buzzing. In Indian mythology, Honeybees form the string of Kāma’s bow made of sugarcane, symbolizing that the love arrows of god are sweet but also painful. Kāma shoots five flowery arrows triggering the five effects of desire: attraction, followed by disturbance, burning, desiccation and, alas, destruction. Bees and their hum are always mentioned as Kāma’s subsidiary weapons.

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Kāma, the Hindu God of Love, with his sugarcane bow having the string formed by honeybees. Source: here.

(3) Bee was a symbol of the Hindu gods Indra, Krishna and Vishnu who were collectively called Madhava, ‘born of honey’. Bees belong to the abodes of gods: Indra’s paradise. The Sanskrit word for honey is madhu, which means ‘mead’. Madhavi is also the name of a perennial evergreen liana (Hiptage benghalensis), native to India, which is usually mentioned in poetry as an erotic symbol, since it blooms in spring; it is also of great medicinal value.

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Honeybees are attracted by the sweetness of Krishna’s face. Source: Krishna Art.

(4) God Brahmā (the Creator) is the bee of Vishnu’s navel-lotus, humming Vedic texts (veda means ‘knowledge’).

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Hindu Goddess Bhrāmarī and the honeybees. Source: Planet Bee Foundation.

One of the expressions of Hindus’ supreme deity Vishnu is an ethereal Blue Bee on a Lotus flower; the latter is the foremost symbol of feminine beauty (especially female eyes), prosperity and fertility. The blue colour refers to that of the sky from which the gods come. Brahmi (= waterhyssop; Bacopa monnieri) is a non-aromatic Indian herb which is used in a traditional Āyurvedic medicine.

There is also a Hindu Goddess Bhrāmarī (an incarnation of the Goddess Shakti) – the Goddess of Black Bees – whose name could be translated as ‘like a bee’ and who is associated with bees, hornets and wasps. Bee Goddess was regarded as the female principle of the divine, destroyer of demons and the embodiment of the energies of the Gods.

In modern India, bees are still perceived with an obvious piety: “…A man on the ground so low lifted his head up looking at us, smiling, raising his brow…” – from Mystic Indian. Since the ancient times, it is believed that honey brings poets the gift of sweet speech. Here is a quote from Rig Veda (1:90:6-8), an ancient collection of Vedic Sanskrit hymns from around 1,5-2,000 BC:

“Let every wind that blows drop honey
Let the rivers and streams recreate honey
Let all our medicines turn honey
Let the dawn and evening be full of honey
Let the dark particles be converted to honey
Our nourisher, this sky above, be full of honey
Let our trees be honey
Let the Sun be honey
Let our cows secrete honey”.

Modern authors, artists and scientists continue to be struck by bees, their buzzing lifestyle, complex organisation of their life and their importance in nature. You can find more about bees, bee art and art in conservation in a special section of the Manchester Museum’s new exhibition ‘Beauty of the Beasts’ (here); the entire content of the exhibition can be found here.

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‘UnBEElievables’, Picture book by Douglas Florian (2012).

References and further reading:

Chainey D.D. 2018. A treasury of British folklore. Maypoles, Mandrakes & Mistletoe. National Trust, 192 pp.

Fudala A. 2017. The Sacred Bee: Ancient India. – Planet Bee Foundation, online here.

Karttunen K. 2015. Bhramarotpītādharah – Bees in Classical India. – Studia Orientalia Electronica, 107: 89-134; online here.

Kritsky G. & Cherry R. 2000. Insect Mythology. Writers Club Press, 140 pp.

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In the last few months many activities have taken place in and around our temporary exhibition on the top floor of Manchester Museum, ‘Beauty and the Beasts; falling in love with insects’. For example, children and young people, from under 5s to teenagers, were invited to send stories involving insects to help us create the next great Creepy-Crawly Chronicle, following in the footsteps of the Hungry Caterpillar. There is still time to enter the Children’s Story Competition, see here for more information.

Inspired by the amazing creatures in Beauty and the Beast Exhibition and the insects on the handling table, younger visitors created their very own creepy-crawly characters.

 

The exhibition has also been used as a space to relax and enjoy, for example, hosting one of the wellbeing sessions for Natural Sciences students at the University of Manchester. After a brief introduction, the students made their way into exhibition to explore the insects’ shapes and colours, admiring strange and peculiar creatures using magnifying glasses. They also experimented with the exhibition’s digital content by scanning the QR-tag on some of the cases, tried out the microscopes and wrote letters to insects, among other activities.

The students were also invited to draw and create their own creepy-crawly characters, see below for some of the amazing drawings and ideas, including where the character is from, what they like and dislike and what is special about them. Here are some of the characters suggested by the students:

  • Hobbelklumps are from Foreverland, like warm spots of sunlight and Nutella, dislike salmon and sunlight follows them wherever they go.
  • Bumbleflies are from New Zealand, like flowers, dislike water and their wings are asymmetrical.
  • Mermaid-flies are from Bury, like tomatoes, dislike techno and can fly and swim.

 

The ‘Beauty and the Beasts’ exhibition has created a space not only to see the work of researchers and artists, but also to enjoy the colours, patterns, shapes and myths surrounding these small creatures. The exhibition is also about exploring and using the gallery’s space from a different perspective. There are still a lot of events and activities planned for this exhibition, get in touch if you would like to be involved. Follows us on twitter and Instagram, #MMBeautyandtheBeasts.

 

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Intro_Image_01

Dmitri Logunov, Curator of Arthropods, installing a central display case of the exhibition.

At the Manchester Museum, we opened a new temporary exhibition devoted to insects and other creepy-crawlies as inspirational tools for non-entomologists. The exhibition is called ‘Beauty and the Beasts: falling in love with insects’ and is about the cultural entomology rather than insects themselves. It is experimental in many ways. For instance, we provided the introductory panel in 18 different languages. Each display case has its own QR-tag, so that a visitor can scan it and get directly to the detailed description of its content with images of individual objects displayed. This tool is especially useful for visually impaired visitors. The entire content of the exhibition is accessible online and can be seen at: https://mmbeautyandthebeasts.wixsite.com/mmbeautyandthebeasts

If someone is interested, please, visit the site and let us know what you think. There is an option to leave your comments online. Any positive and critical comments are welcome. Thank you.

Intro_Image_02

Entrance to the new exhibition. The Manchester Museum.

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Lantern_Bug_scale_0_5cm

Fig. 1: Specimens of the Lanternfly Fulgora laternaria from Mexico in the collection of the Manchester Museum. © The Manchester Museum.

Surely, there are no other living things that rival insects in their vast variety in shape and form. One of the most spectacular group of insects is Lanternflies or Lantern Bugs (family Fulgoridae, order Hemiptera) distributed in the tropics of both the Old and New Worlds (see here for images). The Lanternfly collection at the Manchester Museum is not particularly large, consisting of 150 specimens that belong to 34 identified species (see Allnatt, 2013, for further details).

The following story has been prepared by Kasia Majewski, the Curatorial Assistant within the Manchester Museum Vivarium, whose background is a mix of herpetological (reptile and amphibian) and Entomological work. One of Kasia’s entomological idols, and an inspiration for her passion in ecology, is Maria Sibylla Merian (1647-1717), one of the first naturalists to observe insects directly, make associations between different insect species and host plants, and capture these interactions in stunning colour through her coloured plates. Mrs Merian was not only arguably the first female entomologist, but one of the first naturalists who was also a professionally trained artist, coupling her carefully written observations of species with her mesmerizing illustrations.

Many of her scientific observations are still recognized and valid today, however one story regarding a particular species has always captured people imagination. Fulgoridae, or Lanternflies, are tropical, often colourful flying insects with long protrusions coming from their heads, giving their bodies a uniquely triangular appearance when sitting at rest with their wings closed. In this position, they could be considered lantern shaped, but it is not from this form that they received their name. Across the world where Lanternflies are found, so too are ancient stories of their little bodies lighting up at night from their bright shining protruding “noses”. Maria Sibella Merian was one of the first Europeans to describe this behaviour during her time in Suriname. She wrote that she was presented with a box of live lanternflies, which produced “a fiery light so bright that she could read by it” from their unusually elongated heads (Fig. 2). Given Merian’s penchant for attention to detail, this account is intriguing.

 

Lantern_Bug_01

Fig. 2: A watercolour of a Punica granatum with the life stages of a Cicada (Fidicina mannifera) and a Lanternfly (Fulgora laternaria) from Merian’s Metamorphosis Insectorum Surinamensium (plate 49); online here.

More intriguingly, however, while these stories of light emitting flying lanterns have persisted through generations of native tribes in areas where lanternflies are found, from South America to Southeast Asia,  modern entomologists have never recorded any species of Fulgoridae producing any kind of bioluminescence (or here), and the function of that whimsical elongated “nose” remains a captivating mystery…

You can find more about the Manchester Museum’s Fulgoridae collection in the following paper: Allnatt G. 2013. Recuration of the Fulgoridae collection at the Manchester Museum. Journal of Natural Science Collections, 1: 4-7.

Illustrated records of particular fulgorid species in our collection can be searched online here.

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Copris lunaris

Horned Dung Beetle (Copris lunaris; family Scarabaeidae) from the collection of the Manchester Museum. © Martin Wilson.

About 25-30% of the visitors to the Manchester Museum’s Entomology Department are designers, artists and photographers who come to get inspired by the great diversity of shapes, colours and forms of millions of insects that are retained there. One of the photographers who have been attracted and inspired by our insect collections is Martin Wilson, a photography student from University Centre Blackburn College (accredited by Lancaster University). The aim of Martin’s current project is to create a series of high-quality macro photographs of endangered British insects, some of which – like the Horned Dung Beetle (Copris lunaris) depicted above – are in decline or already became extinct. From November 2018 till March 2018, the Manchester Museum will hold an exhibition of the excellent photographs created by Martin Wilson in order to draw attention of our visitors to their phenomenal beauty and the need to protect and conserve them. The humanity needs insects not only for the ecological services they provide (e.g., here), but also for the sake of their own beauty that has been inspiring artists, poets and entomologists for generations.

“Rare beetles and molluscs which daytime abhor,

Fly larvae, pale woodlice all come to the fore

Midst wood boring creatures with death-tapping call

For savings allotted from decades of store” – by Chris Terrell-Nield (2017)

Lixus paraplecticus

A rare species of British weevils (Lixus paraplecticus; family Curculionidae) from the collection of the Manchester Museum. © Martin Wilson.

Although the Manchester Museum has offered the exhibition space for Martin Wilson for free, some funding for production costs are required, such as the cost of printing, framing and promoting this exhibition. You could help Martin Wilson to produce this exhibition by providing a donation, no matter how small. If you are in the position to help, please, go here for further details.

 

 

 

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About 30-40% of the visitors to the Manchester Museum’s Entomology Department are art or design students and professionals, who come over to get inspired by the variety of insect shapes, colours and patterns, and to talk to the museum curatorial staff about what interests them. Museum’s curators are especially pleased when such visits result in something tangible, such as an installations, original ideas for contemporary product and/or jewellery design, and, of course, pure examples of fine art.

Here we are pleased to present an interview with Robin Gregson-Brown, a Lepidoptera artist as he calls himself, from Derbyshire (recorded 20th October 2016). At the age of 80 and in retirement, Robin has embarked a new career of poetic artist of nature. And what could be more beautiful nature’s beautiful creatures than moths and butterflies? Hardly anything! Robin is fascinated by Lepidoptera all his life and now started to satisfy his passion by painting them in mixed media.

In collaboration with the Derby Museum and the Manchester University Museum, he has produced a series of spellbinding images of endangered and extinct butterflies, which were displayed once in his personal exhibition at the Derby Museum (22nd May – 5th June 2016).

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